On a quiet evening in a modest living room, a young pianist and songwriter Josh Mwashomah—known as Josh The Last—gave his first semi-public performance. Seated at an upright piano, he played five original songs composed over the past three years, each reflecting his self-taught style and lyrical depth.

The small audience, mostly close friends and local music enthusiasts, listened in attentive silence. There were no theatrics, no elaborate production—just the unfiltered sound of an artist sharing his work for the first time. By the final note, the room’s quiet appreciation said more than applause ever could.